Rick Moody on The Sweet Spot

Your reading along with Rick Moody’s essay on Brian Eno over at The Rumpus, and you come to this concluding paragraph…

I was somewhere on the road, not so long ago, don’t remember where, and again completely beyond sleep, and sitting in a tub in a hotel I never would have been able to afford, were it not for the largesse of some festival, or book publisher, in that despair which is the loss of all things, of all relevant handholds, in the tub, as the water slowly cools toward that lukewarm which is the universal temperature required for self-slaughter, and I had just downloaded Bloom, which is a software program devised by Brian Eno and Peter Chilvers in which you simply touch your touchscreen and certain rather euphonic sounds emanate from a visual field of impressionist bubbles, and these replay and decay rather slowly, while some Eno-ish drones drone in the distant sonic space. If you are too lazy to fashion your little pizzicato stabs of sound, Bloom will do it for you. Eno describes the whole thing, I believe, as his composition, which is sort of like La Monte Young saying that he picked the one note that the Theatre of Eternal Music used to play, but who wants to quibble? You compose what Eno composed first. The thing plays itself, and you can intervene, or you can just let the breath of crows play the thing while you lay there cooling toward absolute zero, toward the time when all of our musical gestures will sound like Eno’s best compositions, little desperate iterations of sonic order against a backdrop of white noise, radio static, and then silence, and if this is what it means to be no longer in your Sweet Spot, that you are capable of making Drums Between the Bells, on the one hand, and Bloom on the other, so that very nearly dead in the heartless hotel interiors of the post-industrial wasteland are afforded a few more minutes of relative comfort, just before capitalism finishes them off, then I say we should all be so lucky as to be beyond our sweet spots.

We should all be so lucky.

Read the whole thing here…

SWINGING MODERN SOUNDS #33: The Sweet Spot – The Rumpus.net.

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Win/Luck Compilation of 2011

Via Andrew Sullivan at the Daily Beast (and everywhere else on the web) the awesome winners and lucksters of the year.

Happy New Year every one!

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Irreplaceable

I learned a decade or so ago that no one is irreplaceable, regardless of their talents, native abilities, passions, certainly not in something as prosaic as a business organization, or as it turns out, in a political system, not even in the art world.

But this morning that day-in and day-out truth seems so hard to bear. There is such a haze of loss I’m fighting today over the news of the death of Steve Jobs.

Separating yourself from the idea of ‘the irreplaceable’ is not to say that some lives, Steve’s in particular, do not have overwhelming impact, that they are not filled with extraordinary meaning. On the contrary, it’s just the opposite. The individual, driven by nothing more than passion, utilizing the talents they have, and the ones they’ve developed, applying them against the vagaries of the world around them, this is the base of a society many of us still believe in; one founded on individuals, not on the collective, one that grows through personal responsibility, not through entitlements, that becomes better through commitment and a drive to “Stay hungry. Stay foolish,” and to hell with the institutional oppressors that tell you to, “get back in line.”

I’m sorry if this seems like an overtly political statement at the time of one man’s death, but I’m not sure how else to deal with the news of his passing, this man just a few years older than me, while I’m reading about it on the tech devices he made possible, over the networks he made usable, on the applications that he demanded were designed to allow me to focus on ideas and not on production. What tinges the air with political tonality today, the way Charles Baxter and John Barth used to say the air of the prior generation was tinged with the smell of Berkley tear gas, vintage 1968, is that on a day when organized labor (or more precisely, the most radicalized few unions of the worst of organized labor) co-opted the Occupy Wall Street kids — a frustratingly dysfunctional narrative of a protest so hollow of purpose and void of meaning that it makes the Obama presidential campaign of 2008 look like a paragon of forthright honesty — we are struck flush with the contrast of what Jobs created versus the vapidity of ideas put forward by the American political left.

Here’s the contrast: Maker vs obscurer. Creator vs sneak. The comparison could not be more stark.

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Philip Schultz on PBS Newshour

“Philip Schultz is a poet, fiction writer and educator. He has been teaching creative writing for nearly 30 years. In 1987, he founded the Writers Studio in New York. He won the 2008 Pulitzer Prize for Poetry for “Failure.”

This clip aired on the Friday, September 16, 2011 show did not air on the 9/16 show.

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Folders in the FSIM

After my last post, a comment came in from Simon that deserved more than a casual reply.

Simon wrote…

Great post, many thanks!

I’ve been trying to get my head round your post and AmberV’s comments, plus the forum posts. I understand the filename system. I have a few questions:

  1. Do you apply your system to all files you create on your computer including proprietary or only text files?

  2. The folders are causing me an issue. Since the filename pretty much covers the file, there would seem no need for folders, except that you would end up with a single folder with a massive amount of data. Would it be best to use a few folders that cover broad areas such as ‘work’, ‘family’, etc.. This one really baffles me.

I think of folders in the File System Infobase Manager two ways: Large structural divisions of my hard drive (which these days is equivalent to my DropBox account) and smaller temporary containers for active work.

At the root (of DropBox) I keep four folders called Notebook, Admin, Writing and Topics. I also keep temporary folders up at the root for various work in progress.

This is what my top level folder looks like…

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Lion Finder Columns and the FSIM

Perhaps this was a function before Lion, one that I missed by not being curious enough to drag windows around, resize them, see what they would do, but as you can see in the screen shot below good old OS X Lion Finder makes for an excellent File System Infobase Manager browsing tool.

I’ve always used Finder in list view for managing the FSIM. I often use it along with Notational Velocity and/or WriteRoom to make quick edits, or to write longer on an entry I find interesting. I couple it with Quick Look — keeping the QuickLook window open as I scroll through a Finder in List view. This makes for a passable alternative to all the PIM programs out there (Evernote, EagleFiler, Yohimbo, Jounrnler[RIP]) In fact, in many ways it is superior to those apps: The file system is already installed; it has tagging capabilities (as hash tags in the text file, in Spotlight Comments, with OpenMeta tags); it can accommodate all file types; it’s future proof when populated with PDFs and Text files.

But the QuickLook approach was not as elegant as the integrated approach that Notational Velocity provided, so I used NV frequently as a file manager replacement. But now look at what Finder can do on its own.

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