Buckminster Fuller had Journals, so do I...
I wrote about the recent revival of interest in Buckminster Fuller stemming in large part from a major show at the Whitney, and about my own small personal discovery about Fuller’s impact on the iconography of our day.
A second, and perhaps more important reflection came as I walked the halls of the Whitney’s fourth floor exhibition space as I spent some time looking at bound volumes of Fuller’s notes.
Have you ever noticed that all representations of the future have no ninety degree angles? From EPCOT to Worlds Fairs oval and acute angles dominate. Why is that? It's because of Buckminster Fuller.
A Post-postmodernist with Objectivist leanings, fighting to catch up with his art after serving time as a capitalist oppressor of the people.
Doug Barone retired from corporate life after 20 years in the finance industry and is fooling everyone into thinking he is a writer. Having been a corporate strategist, finance executive, and IT executive he has found almost nothing of use to him from those years except the zany people and crazy stories that no one in their right mind could ever dream up. He uses these real life experiences in his work and this separates him from other writers who never really worked a day in their lives either.
His work, his prose fiction, is focused on power, its entanglement with emotional fulfillment, the impact of institutional concentrations of authority, and our struggles in the space created between. It deals with the ontological-deontological tension of existence in a post-postmodern world, where ideas have re-emerged as vastly powerful things even in the simple acts of everyday life. Sometimes his work allows just a bit of the mystical to cross over into reality, breaking the barriers of perception, heightening a sense of the possible.
Since this is all antithetical to the held narrative of our time, he fully expects to be pilloried by the academic left as well as the religious right, and looks forward to every lashing.
Makin’ a commotion…
So what’s this web site all about? Here are a few ideas. (Somebody alert the New Yorker, or at least Merlin Mann...)