Spending Friday at the Whitney Museum of Art’s Biennial was like spending an afternoon watching YouTube, except the Whitney’s installations were of a lower production quality and were vastly less meaningful — even when shouting their relevance at full volume. Room after room showed video after video in the show billed as the art world’s statement of what’s happening now, a statement, the Whitney will tell you, it has been making for over 75 years.
But this version of the Beinnial’s statement is about …